Interestingly I thought it was just a Northern European idea, but the red thread of fate binds lovers together in Eastern mythology too. It’s a trail of breadcrumbs scattered through a piece of creative work that constantly reminds you what’s important or relevant about a particular piece of work. It’s very helpful in editing a design.
There are so many great ideas and suppliers to choose from, but once you have distilled the red thread from the clues your client and the architecture have given you, you can hold each new idea against the red thread and then either let it go or draw it in. It ensures that at the end of a project it feels coherent and distinct from any other. It is telling a different story.
For Cleveland Square the ‘red thread’ was seeing that the house acted as a gallery space. Each piece was then weighed against this notion. Could it stand up as a distinctive piece of art or sculpture? If not, it didn’t belong in this design.The ‘red thread’ is also about collections. A design is a cluster of decisions, artefacts and materials that are important to our client.
I have recently read a beautiful book by Edmund de Waal who uses a collection of Japanese ceramic figures as the starting point for a journey through European history. I was so inspired by this quote–
“How objects are handed on is all about story-telling. I am giving you this because I love you. Or because it was given to me. Because I bought it somewhere special. Because you will care for it. Because it will complicate your life. Because it will make someone else envious. There is no easy story in legacy. What is remembered and what is forgotten?”
The pieces that our clients want to weave a story around are so important.