Designed by Roberto Lazzeroni in 1988, Bandeja is a chic and unusual ovoid chest of drawers. With its seven drawers in seven different sizes, it is one of the designer's cult pieces. It is entirely made from solid American walnut with four elegant finishes to choose from. Originally created as a piece of daytime furniture for the dining room, it has evolved to become a drawer unit for the bedroom. Its oval shape is innovative and unique for the time in which it was created, considering that it was designed to sit alongside a table.

Lazzeroni designed it taking inspiration from a Japanese work of architecture and the perfect ellipse of a tower from which Bandeja borrows its form. This piece is characterised by a truly remarkable sophistication in its execution: the horizontal grooves become handles while also providing an architectural touch by mimicking the various floors of a building. The legs are slim and short compared to the body of the chest of drawers, creating an almost surreal effect that recalls the forms of Salvador Dalì.

BRAND HIGHLIGHT

Strongly committed to sustainability, Ceccotti only works with suppliers that have obtained environmental certification such as membership of the SFI (Sustainable Forestry Initiative) or FSC (Forest Stewardship Council).Based in a small Italian town nestled between Pisa and Florence, the Ceccotti workshops draw the most skilled artisans from the local ‘School of Art’ and hone their craft. Ceccotti Collezioni creates exquisitely made beds, tables, chairs, desks, shelving and lighting that is unmistakably special and is the definition of luxury Italian furniture.The Tollgards are fortunate to have known Franco Ceccotti, a true visionary artisan, for the past decade, and operate the Ceccotti Showroom in the Design Centre, Chelsea Harbour in London.

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Roberto Lazzeroni

Roberto Lazzeroni, born in Pisa, began his professional life with the study of art and architecture in Florence and the interests he developed during his training, in particular in the conceptual art and radical design movements. In the early 1980s, Lazzeroni made his professional debut with a series of important works in the field of “interior architecture” that immediately attracted attention and were published in Italian and foreign periodicals.

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