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Bolero Rectangular
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Bolero Rectangular
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Bolero Rectangular

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Poltrona Frau

From
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Frame:
  
Walnut
,
  
Ash
,
Upholstery:
Finish/Colour:
  
Canaletto Walnut
,
  
Wenge Ash
,
  
Moka Ash
,
  
Natural Ash
,
Dimensions:
220 x 100 x 73.5h cm
250 x 110 x 73.5h cm
Seat Height:
Variations:
Top in wood or Mable
Lead Time:
10-12 Weeks
Color Temp:
Dimming:
IP Rating:
Certification:

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Bolero Rectangular
The supporting structure of the Bolero tables is made from solid wood with triangular cross-section. The wood can be ash, with wenge or moka stain, or Canaletto walnut. The top is available in wood or marble. The wood version comes with veneer in wenge- or moka-stained cut ash wood or Canaletto walnut with its distinctive inlay consisting of a criss-cross grain pattern, always matching the legs. The edges are decorated with a solid wood trim.
The 220x110 cm and 250x100 cm versions of the Bolero tables and the round version with 150 cm diameter are also available with the top in Calacatta gold marble or Emperador marble, with bevelled edge and semi-polished or polished polyester finish. The 180 cm diameter round version is also available with a Lazy Susan which, resting on the table top rather than fixed to it, is composed of two round flat surfaces of different diameters.
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BRAND HIGHLIGHT
Poltrona Frau, founded in 1912 by Renzo Frau in Turin, Italy, has a rich history of craftsmanship in furniture design. Since the early 1960s, its headquarters has been in Tolentino. The company is known for its collaborations with numerous Italian and international architects and designers, creating beautiful and high-performing furniture products that inspire spaces.
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DESIGNED BY
Roberto Lazzeroni
Roberto Lazzeroni, born in Pisa, began his professional life with the study of art and architecture in Florence and the interests he developed during his training, in particular in the conceptual art and radical design movements. In the early 1980s, Lazzeroni made his professional debut with a series of important works in the field of “interior architecture” that immediately attracted attention and were published in Italian and foreign periodicals.
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Roberto Lazzeroni