On Sale
DUO Table
by
Ceccotti Collezioni
From
2760
2760
Inc VAT
Inc VAT
Frame:
Ash
,
Upholstery:
Finish/Colour:
Ash Moka
,
Ash Wenge
,
Dimensions:
250 x 110 x 75h cm
292 x 110 x 75h cm
Ø150 x 75h cm
Ø180 x 75h cm
292 x 110 x 75h cm
Ø150 x 75h cm
Ø180 x 75h cm
Seat Height:
Variations:
See Spec Sheet
Lead Time:
Color Temp:
Dimming:
IP Rating:
Certification:
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DUO Table is a table defined by clean-cut and softly curved lines for a minimalist approach to form.
The sturdy base, in solid Wengé or Moka-stained ash, recovers and re-elaborates the style and the design of the DUO side tables without being their exact transposition. In fact, the legs consist in large slanting round-section panels, interconnected by a crossbeam with elements in bronzed brass.
The base supports the rectangular or circular-shaped top in Calacatta marble. DUO Table is the first example in the Ceccotti Collezioni catalogue of a table with a mono-slab marble top devoid of a wood frame.
Precious materials and functional design make the DUO Table perfect for spaces and contexts of various types.
BRAND HIGHLIGHT
Strongly committed to sustainability, Ceccotti only works with suppliers that have obtained environmental certification such as membership of the SFI (Sustainable Forestry Initiative) or FSC (Forest Stewardship Council).Based in a small Italian town nestled between Pisa and Florence, the Ceccotti workshops draw the most skilled artisans from the local ‘School of Art’ and hone their craft. Ceccotti Collezioni creates exquisitely made beds, tables, chairs, desks, shelving and lighting that is unmistakably special and is the definition of luxury Italian furniture.The Tollgards are fortunate to have known Franco Ceccotti, a true visionary artisan, for the past decade, and operate the Ceccotti Showroom in the Design Centre, Chelsea Harbour in London.
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DESIGNED BY
Roberto Lazzeroni
Roberto Lazzeroni, born in Pisa, began his professional life with the study of art and architecture in Florence and the interests he developed during his training, in particular in the conceptual art and radical design movements. In the early 1980s, Lazzeroni made his professional debut with a series of important works in the field of “interior architecture” that immediately attracted attention and were published in Italian and foreign periodicals.
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