On Sale
Fidelio High & Drinks Cabinet
by
Poltrona Frau
From
Inc VAT
Inc VAT
Frame:
Ash
,
Upholstery:
Saddle Leather
Finish/Colour:
Ash Moka Stained
,
Dimensions:
130 x 52 x 155h cm
Seat Height:
Variations:
Top in Marble or Wood
Lead Time:
10-12 Weeks
Color Temp:
Dimming:
IP Rating:
Certification:
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The collection includes the Low Cabinet, the High Cabinet and the Fidelio Mobile Bar. The supporting structure is in solid ash and birch plywood with moka-coloured ash veneer on the outside. The extra light natural maple wood brightens the interior. The doors are in birch plywood and poplar with the insides veneered in moka-stained ash for the Fidelio Low Cabinet and extra light natural cut maple wood in the Fidelio High Cabinet. The edging of the doors is produced from solid ash in a moka stain. The top is available in moka-stained ash, in glossy or semi-glossy Calacatta gold marble and in glossy Emperador marble.
The sawhorse base, in moka-stained solid ash with triangular cross-section, adds to the light feel of the design. The base is fixed to the structure with cylindrical spacers in matt black painted steel. The adjustable steel feet have rubber caps. Fine saddle-leather is used to upholster the sides, doors, inside drawers and, on request, the back of the cabinet. Choice between tone-on-tone or contrast stitching. The inside of the Fidelio Mobile Bar is designed to lighten up when the doors are opened. The back wall of the cabinet is covered with two bronzed mirrors.
BRAND HIGHLIGHT
Poltrona Frau, founded in 1912 by Renzo Frau in Turin, Italy, has a rich history of craftsmanship in furniture design. Since the early 1960s, its headquarters has been in Tolentino. The company is known for its collaborations with numerous Italian and international architects and designers, creating beautiful and high-performing furniture products that inspire spaces.
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DESIGNED BY
Roberto Lazzeroni
Roberto Lazzeroni, born in Pisa, began his professional life with the study of art and architecture in Florence and the interests he developed during his training, in particular in the conceptual art and radical design movements. In the early 1980s, Lazzeroni made his professional debut with a series of important works in the field of “interior architecture” that immediately attracted attention and were published in Italian and foreign periodicals.
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