Details and elegance: shaped solid wood and a single element that joins the legs and the cozy armrest, similar to a leaf, large enough to hold a book or a pair of glasses.

BRAND HIGHLIGHT

When Aurelio Zanotta opened the doors to his eponymous label in 1954, its initial focus was on the production of sofas and armchairs which, at the time, were overwhelmingly the domain of upholstery workshops. But Zanotta’s vision far exceeded the largely utilitarian scope of local upholsterers. Beyond its surface functionality, he recognizedin furniture design a new form of cultural expression—a venerable creative outlet worthy of the same respect afforded to traditional artistic exploits like painting and sculpture.

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Paolo Lomazzi

Donato D'Urbino and Paolo Lomazzi, born in the years 1935 and 1936 in Milan, have been collaborating since 1966 on projects of architecture, town-planning, furniture and objects. In the Sixties they developed a particular interest in the creation of furniture and temporary architecture. Their work was notable for the introduction of advanced signs, materials and industrial technologies. Their work has been recognized with internationally respected awards. Some of their works are present in the collections: the Museum of Modern Art and the Brooklyn Museum in New York, The Denver Museum in Colorado, Victoria and Albert Museum in London, the Centre Pompidou of Paris, the Museum of Jerusalem, Staatliches Museum fuer angewandte Kunst of Munich and Kunstgewerbemuseum of Berlin and Zurich.

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