On Sale
Pacha Lounge Chair
by
Gubi
From
3140
3140
Inc VAT
Inc VAT
Frame:
Black
,
Pearl Gold
,
Upholstery:
Fabric
Finish/Colour:
No items found.
Dimensions:
85 x 77 x 65h cm
Seat Height:
37 cm
Variations:
With and Without arms
Lead Time:
Color Temp:
Dimming:
IP Rating:
Certification:
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Legendary French designer Pierre Paulin originally designed the Pacha Lounge Chair in 1975. Paulin designed the chair in harmony with the changing design style of its period, replacing the austerity of post-war design with a new, vigorous approach.Paulin managed to give a real elegance to the rounded forms of the Pacha Lounge Chair by finding the perfect proportions, raising it lightly on its base and tracing in the foam and upholstery with stitching lines inclined inwards.
Through pieces like the Pacha Lounge Chair, Pierre Paulin pioneered low-level living; a modern way of living and sitting on the floor, by getting rid of chair legs.With comfort as the constant starting-point in his designs, the curvaceous, whimsical and organic shapes of the Pacha Chair are conceived to serve the body, providing both comfort and cosiness.
BRAND HIGHLIGHT
A hero of the Danish design world with a truly global following, Gubi offers a unique edit of furniture and lighting by overlooked icons of the past and celebrated designers of today, all with an instantly recognisable contemporary aesthetic.Founded in Copenhagen in 1967, Gubi originally created furniture designed by its founders, Lisbeth and Gubi Olsen. Following the introduction of the couple’s sons to the business, they began to delve into the past, and Gubi earned a unique reputation for uncovering forgotten gems of the design world.
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DESIGNED BY
Pierre Paulin
Pierre studied in France – first ceramics in Vallauris and then stone-carving in Burgundy, intending to become a sculptor. Sadly, a severed tendon in his right arm put paid to his intentions to follow in his great uncle’s footsteps. He then enrolled at the École Camondo design school in Paris, where a teacher urged him to join furniture designer Marcel Gascoin’s workshop. He served as an apprentice and learned his trade before travelling to Scandinavia and the United States. He cited Ray and Charles Eames and George Nelson among his influences and, like Nelson, considered himself a functionalist who added “two little drops of poetry” to his work.
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