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Hunter lounge chair
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Hunter lounge chair
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Hunter lounge chair

by 

Eikund

From
5359
 Inc VAT
From 
5359
5359
 Inc VAT
 Inc VAT
Frame:
No items found.
Upholstery:
Leather
Finish/Colour:
  
White oiled oak
,
  
Oiled Oak
,
  
Smoke stained lacquered oak
,
  
Oiled walnut
,
Dimensions:
62.7 x 75.1 x 96.5h cm
Seat Height:
39.8 cm
Variations:
Lead Time:
8 - 10 Weeks
Color Temp:
Dimming:
IP Rating:
Certification:

The way that the saddle leather is stretched around the wooden frame with adjustable belts, makes this a perfect example of the category “hunting chairs”.

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Hunter lounge chair
The way that the saddle leather is stretched around the wooden frame with adjustable belts, makes this a perfect example of the category “hunting chairs”.
These lounge chairs were immensely popular in the 1950s-60s and have now defined themselves as modern-day classics. Afdal graduated from the Norwegian National Academy of Craft and Art Industry in 1946 and worked his whole career for the legendary Tegnekontoret Bruksbo. Afdal designed the frame with a minimalistic aesthetic focusing on a fluid and organic form in contrast to other hunting chairs. “Simplexity” is a good description of the Hunter composition. This can be seen in the double layered leather with its matching edge stitching, together with its solid cast brass buckles. The Hunter lounge chair is a highly detailed piece with craftsmanship to last for generations.
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BRAND HIGHLIGHT
The result of a shared love and a mission; Eikund is a furniture maker bringing forgotten classics of Norwegian mid-century design into the spotlight. Its three founders, Morten Hippe, Frode Tingbø and Jørgen Tengesdal have in common a long-held appreciation of Norwegian furniture design. Believing it to have been traditionally overlooked in favour of the better-known Danish mid-century icons, they set out together to correct this, and in 2015, Eikund was born.
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DESIGNED BY
Torbjørn Afdal
Torbjørn Afdal is among our most gifted and productive furniture designers. After graduating from the Norwegian National Academy of Craft and Art Industry in 1946, he spent his career with the legendary Bruksbo Tegnekontor, who for three decades were one of Norway’s leading design offices for quality furniture. They created models for dozens of furniture manufacturers, and in the mid-1960s a large percentage of Norwegian furniture exports were designed by Bruksbo.
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Torbjørn Afdal