A chair with a refined and unmistakable shape inspired by 1950s and 1960s design that adds a dash of character and perfectly adjusts to any setting, residential or commercial alike. Ma Belle, designed by Roberto Lazzeroni in 1994, is the perfect example of how the craft of woodworking can be transposed to an industrial dimension. This chair has an organic shape and an extremely lightweight feel, conveyed by a series of sinuous lines that come together in an interplay of large empty spaces. It is available with or without armrests. In the former version, the armrests connect the back with the front legs, creating a unique design.

Ma Belle is made from solid American walnut wood in four thicknesses: the skillfully shaped backrest is crafted from a single 100 mm thick piece. The slats are joined together, giving life to an X-shaped construction that effortlessly supports the seat. The padded poplar plywood seat rests on four turned brass spacers that block it and give stability. The bottom part is made from walnut veneer.

BRAND HIGHLIGHT

Strongly committed to sustainability, Ceccotti only works with suppliers that have obtained environmental certification such as membership of the SFI (Sustainable Forestry Initiative) or FSC (Forest Stewardship Council).Based in a small Italian town nestled between Pisa and Florence, the Ceccotti workshops draw the most skilled artisans from the local ‘School of Art’ and hone their craft. Ceccotti Collezioni creates exquisitely made beds, tables, chairs, desks, shelving and lighting that is unmistakably special and is the definition of luxury Italian furniture.The Tollgards are fortunate to have known Franco Ceccotti, a true visionary artisan, for the past decade, and operate the Ceccotti Showroom in the Design Centre, Chelsea Harbour in London.

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Roberto Lazzeroni

Roberto Lazzeroni, born in Pisa, began his professional life with the study of art and architecture in Florence and the interests he developed during his training, in particular in the conceptual art and radical design movements. In the early 1980s, Lazzeroni made his professional debut with a series of important works in the field of “interior architecture” that immediately attracted attention and were published in Italian and foreign periodicals.

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