Designed by Noè Duchaufour-Lawrance in 2011, Omaggio is inspired by the shapes of Cavour, Carlo Mollino's desk. The asymmetrical silhouette and essential lines enhance its dynamism, making it a timeless piece of furniture. With its expression of contemporary workmanship, it fits into any environment, from the traditional to the most modern. On the right, the base of the desk includes a chest of drawers, rounded on all four sides and with a minimal profile. A simplicity that is also sought in the details, such as in the drawer handles, which are formed from a hole in the lower part of the drawer to remain hidden.

The second drawer of the four vital elements of the storage unit , can be rotated, and it's made of bleached maple with an internal organizer. The others three drawers are made with solid American walnut, with the first that has a retractable compartment for cables. This stylistic solution livens up the entire piece even more. Greater functionality is guaranteed by the open storage placed on the sinuous legs of the desk, on the opposite side. The 12 mm tempered glass top with slight lateral grinding, which can be chosen in the transparent or smoked version, enhances the visual aspect of the design.

BRAND HIGHLIGHT

Strongly committed to sustainability, Ceccotti only works with suppliers that have obtained environmental certification such as membership of the SFI (Sustainable Forestry Initiative) or FSC (Forest Stewardship Council).Based in a small Italian town nestled between Pisa and Florence, the Ceccotti workshops draw the most skilled artisans from the local ‘School of Art’ and hone their craft. Ceccotti Collezioni creates exquisitely made beds, tables, chairs, desks, shelving and lighting that is unmistakably special and is the definition of luxury Italian furniture.The Tollgards are fortunate to have known Franco Ceccotti, a true visionary artisan, for the past decade, and operate the Ceccotti Showroom in the Design Centre, Chelsea Harbour in London.

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Noé Duchaufour Lawrance

Designer and interior architect, Noé Duchaufour-Lawrance has defined his own language usingnatural shapes which are supple, organic, fluid and structured at the same time. A double passion forthe material and for the shape embodied by a double faceted course of studies: first of all following acourse in Sculpture on Metal (at the Ecole Nationale Supérieure des Arts Appliqués et des Métiersd'Art), then design at the Arts Décoratifs in Paris.

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