Characterised by a simple and honest use of form and material, the Principal Chair is timeless in every aspect. It is meticulously designed down to the finest detail, offering an enduring piece to be cherished for generations. Balancing a geometric structure with soft organic shapes, the piece presents a simple structure that forgoes superfluous detailing in favour of a minimal design. The all-wood rendition of the design embodies the essence of the series. With a focus on clarity and simplicity, every aspect of the design fulfils a function, down to the smallest detail.

Perfect for restaurants and private homes alike, the all-wood version of the chair and the Principal series can become a staple in homes and hospitality settings. Crafted from solid oak and coloured beech versions, these chairs cater to diverse preferences while maintaining the highest standards of quality and craftsmanship.

BRAND HIGHLIGHT

Karakter Copenhagen proudly presents works by some of the most celebrated masters of furniture and lighting design; icons of the 20th century including Joe Colombo, Angelo Mangiarotti and Achille Castiglioni. It also celebrates and showcases pieces by some of the most promising new design talent of today, including Laura Straßer, Aldo Bakker and Anatomy Design. Piece by piece, old and new, Karakter is building a legacy of beautiful design rooted in the Scandinavian tradition.One of the pieces available at Tollgard’s London showrooms is the Chair 300, by Joe Colombo. This chair epitomises Joe Colombo’s focus on democratic design which served its end user. It is a strong, comfortable and supremely functional piece of furniture, with customisation options including leathers from Sørensen Leather and textiles from Kvadrat.

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Bodil Kjaer

She has been featured in The New York Times and Wall Street Journal Magazine. She designed a desk for MIT which was dubbed ‘The most beautiful desk in the world’ and eventually immortalized in 3 early James Bond movies. Danish architect, designer and professor Bodil Kjær (born 1932) is the female trailblazer of Danish midcentury design, who although tutored by modernist master Finn Juhl, in her own words “… never had much interest in following in the footsteps of the Danish rat pack”.

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