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Tugendhat Chair
by
Knoll
From
0
0
Inc VAT
Inc VAT
Frame:
Steel
,
Upholstery:
Removable upholstery in fabric or leather.
Finish/Colour:
Polished Chrome
,
Onyx Ultra Matt
,
Dimensions:
Armless: 71 x 72 x 84h cm
With Arms: 76 x 72 x 84h cm
With Arms: 76 x 72 x 84h cm
Seat Height:
Variations:
Arms, Armless
Lead Time:
8 - 10 Weeks
Color Temp:
Dimming:
IP Rating:
Certification:
Origin:
The Tugendhat Chair is a beautiful nod to Knoll’s heritage. While inspired by Knoll’s history, it offers a modern day take on the design and is perfect for any space. The sophisticated lounge chair delivers comfort and versatility with a cantilevered base, leather strap back, and sleek form. A pair of untufted cushions and optional armrests top the chair’s pleasingly kinetic frame. It is offered in two finishes and a wide array of upholstery options.
The Tugendhat Chair has a steel structure, chrome finished or epoxy paint onyx ultra matte. The padding is in flexible polyurethane at varied density, with polyester wadding pre-covering. The chair has removable upholstery in fabric or leather. The structure is available in chrome finish or onyx ultra matte finish. The cushions are available in a wide range od fabrics and leathers.
BRAND HIGHLIGHT
For more than 80 years Knoll has remained true to the Bauhaus design philosophy that modern furniture should complement architectural space, not compete with it. At Knoll, modern design has been our guiding principle, and our passion has been shared by customers and design professionals worldwide. Our founders, Hans and Florence Knoll, embraced the creative genius at the Bauhaus School and the Cranbrook Academy of Art to create new types of furniture and environments for the workplace. Their approach, where craftsmanship joined with technology through the use of design, anchors our perspective and shapes the values we endeavor to live by today.
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DESIGNED BY
Ludwig Mies van der Rohe
Regarded as one of the most important figures in the history of architecture, Ludwig Mies van der Rohe’s ‘less-is-more’ approach to design was the gold standard for many generations of modern architecture. His legendary career started humbly at his father’s stonemasonry business, giving him an early appreciation of material and structure. From there he apprenticed with furniture designer Bruno Paul in Berlin before joining the office of Peter Behrens, an architect and painter at the forefront of the modern movement.
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