Icosofà is a sofa designed by Roberto Lazzeroni for Ceccotti Collezioni and first launched in 2020. The frame is made from solid American walnut, while the body of the sofa is made from padded poplar plywood. It can be upholstered with fabric, leather or natural leather, creating a wide range of options for customisation, while the brass leg tips reflect the strong attention to detail that characterises this company.

It is available in two versions: a symmetrical design with a single seat depth, or an asymmetrical design with a double seat depth. Offering fabulous visual appeal thanks to its soft, sinuous forms, Icosofà gives a nod to the 1920s, reimagined as always in a contemporary style. The sumptuous seat cushion sits in dialogue with the suspended backrest, which is supported by three vertical elements. These are held together by a curved horizontal axis that provides the base for the backrest.

BRAND HIGHLIGHT

Strongly committed to sustainability, Ceccotti only works with suppliers that have obtained environmental certification such as membership of the SFI (Sustainable Forestry Initiative) or FSC (Forest Stewardship Council).Based in a small Italian town nestled between Pisa and Florence, the Ceccotti workshops draw the most skilled artisans from the local ‘School of Art’ and hone their craft. Ceccotti Collezioni creates exquisitely made beds, tables, chairs, desks, shelving and lighting that is unmistakably special and is the definition of luxury Italian furniture.The Tollgards are fortunate to have known Franco Ceccotti, a true visionary artisan, for the past decade, and operate the Ceccotti Showroom in the Design Centre, Chelsea Harbour in London.

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Roberto Lazzeroni

Roberto Lazzeroni, born in Pisa, began his professional life with the study of art and architecture in Florence and the interests he developed during his training, in particular in the conceptual art and radical design movements. In the early 1980s, Lazzeroni made his professional debut with a series of important works in the field of “interior architecture” that immediately attracted attention and were published in Italian and foreign periodicals.

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